Did you know?  Check our Rare Books Page

How to Identify First Editions from G.P. Putnam's Sons

By Kristin Masters. Jun 20, 2013. 3:48 PM.

Topics: Book Collecting, Modern First Editions

Since its inception in 1838, G.P. Putnam's Sons grown into one of the most respected--and controversial--publishing houses in the United States. In 1996, the publishing house became an imprint of the Penguin Group and continues to publish the works of outstanding authors of both fiction and non-fiction.

George P Putnam and Son David 

A Quick History of G.P. Putnam's Sons

George Palmer Putnam and John Wiley entered a partnership in 1838, setting up office in New York City. Three years later, Putnam went to London to set up a branch there, making Putnam the first American publishing company with an office there. When Putnam returned to New York in 1848, he dissolved the partnership with Wiley, who went on to start John Wiley & Sons, which still exists as an independent publisher today. He started G.P. Putnam and Company.

In 1853 Putnam's Monthly Magazine of American Literature, Science and Art was launched with Charles Frederick Briggs as editor. The magazine later merged with Emerson's United States Magazine and again with The Atlantic Monthly. Throughout the latter half of the nineteenth century, the publishing house stayed abreast of trends in America's interests and reading habits. 

Founder George P. Putnam passed away in 1872, leaving his heirs to run the firm. They renamed it George P. Putnam's Sons. George H Putnam took on the role of president, which he held for the next 52 years. Meanwhile, the second half of the nineteenth century held some interesting milestones for the firm. In 1880, the company accepted a 200,000-word manuscript scrawled in pencil on yellow paper. It was written by 19-year-old Anna Katherine Green. Published as The Leavenworth Case, the book helped establish the genre of the detective novel. 

In 1884, Theodore Roosevelt convinced the firm that he was ardently interested in a publishing career and became a special partner. He barraged the firm with mostly absurd proposals. But George P. Putnam's Sons would go on to publish Roosevelt's The Naval War of 1812 and The Winning of the West.

The publishing house brought legendary authors like James Fenimore Cooper, Edgar Allan Poe, Vladimir Nabokov, Joseph Conrad, and Robert A Heinlein to American readers. Today, as an imprint of Penguin USA, George Putnam's Sons publishes well-known authors like Tom ClancyClive Cussler, Patricia Cornwell, Sue Grafton, Amy Tan, and Kurt Vonnegut. The company has had more New York Times bestsellers in fiction and non-fiction than any other publishing house. 

Identifying George Putnam's Sons' First Editions

Since 1928, G.P. Putnam's Sons has published several statements regarding the identifications of its first editions in the US and the UK.

G.P. Putnam's Sons, LTD (UK)

1928-1947: First editions are indicated on the title page with the words "First published" followed by the month and year. Later printings have a line underneath saying “Reprinted” along with the month and year. If the content of the book is changed significantly, this will be denoted with the words "Second Edition" on the title page, followed by the month and year.

G.P. Putnam's Sons (US)

1928-1959: The title page does not normally include any entry to indicate first editions. However, in subsequent printings the words “First printed” followed by the relevant dates appear under the copyright notice. Similarly, the other printings and their dates are included. The absence of this note indicates that a book is a first edition. The publishers avoid using the term "second edition" unless there is material difference from the first edition. For major publications that are reprinted annually, the date is omitted from the title page.

1960-1988: All editions other than the first include the words "second (or "third, "fourth,” etc.) impression" on the copyright page. The first edition is not noted.

1989-1992: A sequence of numbers from 1 to 10 appears from left to right on the copyright page (1 2 3 4 5 6 7 8 9 10). The last number on the left indicates the printing. Thus if all numbers are present, the book is a first edition. If a Putnam edition has previously been published overseas, it will be identified on the copyright page as the “First American Edition.” 

1993-Present: G.P. Putnam's Sons began following the first edition identification conventions of the Putnam & Grosset Group. First editions are not identified except that the copyright page indicates the year of publication. Books that are reprinted include no indication of which printing they are. If a subsequent printing contains new copyrightable material, it will include both the new and the original copyright years. However, some books do include a letter or number code. For example A B C D E F G H would be a first printing. B C D E F G H would be a second printing.

It's important to note that Philomel Books and G.P. Putnam's Sons carry a code in numbers along with the words "First Impression" for all first editions. In later printings these words are deleted, and the lowest number listed indicated the printing.

 Browse Publications by G. P. Putnam's Sons 

Kristin Masters
Master Content Brain. You think it, she writes it, no good thought remains unposted. Sprinkles pixie dust on Google+, newsletters, blog, facebook, twitter and just about everything else.


 

comments powered by Disqus

 

  • There are no suggestions because the search field is empty.

About this blog

How can I identify a first edition? Where do I learn about caring for books? How should I start collecting? Hear from librarians about amazing collections, learn about historic bindings or printing techniques, get to know other collectors. Whether you are just starting or looking for expert advice, chances are, you'll find something of interest on blogis librorum.

Get blog notifications per email:

Download the James Bond Dossier

Recent Posts

Book Glossary
Get your free Guide to Book Care

Blog Archive

> see older posts
A Guide to Historic Libraries Part I