In 1814, a relationship that would one day produce immortal art was only producing a scandal. The journey to some of the 19th century’s best Romantic poetry and the gothic genius of Frankenstein was going to be, in hindsight, a bumpy one. It was a relationship so taboo that it began in secret, and had to be nurtured in exile.
As a whole, writers are no different from the rest of humanity. This applies as much to a propensity for crime. Traditionally, writers have been imprisoned for two vices popular to their caste—espousing radical politics and not paying creditors. That’s not to say there haven’t been authors who went to jail for more prosaic crimes, like embezzling (O. Henry) and armed robbery (Chester Himes), for example. A few of them have also written their finest books in jail.
In 1955, writer Kay Thompson and illustrator Hilary Knight published Eloise: A Book for Precocious Grown-ups. Interestingly, as the original title suggests, the Eloise books were first marketed to adults—perhaps it was an early sign that they would be a hit with children, as well. In 1969, the title changed simply to Eloise, leaving out the “grown-ups” part, but the spirit of Eloise as a both mature and juvenile girl was already set. Ever since, she has been the rare sort of character that grows with the reader, coming to mean different things in all stages of life.
Robert Heinlein left behind a body of work with a bewildering diversity of imaginings and ideas. It would be difficult to reconcile the free love, communal interests of the novel Stranger in a Strange Land, with say, the martial authoritarianism of Starship Troopers, or the anarchic libertarianism of The Moon Is a Harsh Mistress. Indeed, doing so would be impossible. And there is little doubt this has much to do with why his readers appreciate his writing so much.
George Sand knew how to make people talk. Ever since she strutted onto the French literary scene, everyone in Paris turned their eyes toward this charming, strangely dressed woman of veritable artistic talent. She had a two-pronged approach: her conduct would gain the immediate attention of her peers, and her talent would sustain it. Her strategy, buoyed by her robust and wise talent, has been successful to this very day.
When Lucille Clifton died in 2010, it was as if the entire American poetry community went into mourning. Here was a woman whose brief, wise, and unmistakable verse had entranced and inspired countless readers. Her distinct style and voice surprised the world with its uniqueness, and one sensed there would never be another like her again.
Crime writers have the strangest muses. For best-selling author Lawrence Block, it’s 1970s New York, with all of its grime, noise—and yes—crime. Today, Block still lives in the West Village, now replete with upscale shops and multimillion-dollar townhouses, but the gritty city of yesteryear is still sharp in his spirit, having already provided a compelling backdrop for many of his 150 mystery novels.
To collect Andrew Lang is to be something of a masochist. What else can be said about a man who left his name on over 175 books? Reflecting his encompassing tastes, Lang’s final output ranges from scholarship to poetry, fiction, collaborations, compilations, translations, and beyond. One does not need to be a completist to collect Andrew Lang (if such a goal is even possible), but it does help to have an idea of the author’s rich and vast oeuvre before diving in.
Book collectors go crazy for first editions. But by the time a book is ready for the public market, it has been printed hundreds, perhaps thousands of times in the form of what is often called an “advance review copy.” These are primarily given to people in the media industry so they have time to review, reference, promote, or provide blurbs for the book ahead of its public release. These copies are the intermediary version between the author’s manuscript and the final, finished book, which is then printed and sold to the public.
The beginning of any artistic movement is typically unclear and shaky. Few have ever announced themselves with the audacity and verve of Vorticism. Discontented with tradition and inspired by the avant-garde spirit spreading across Europe, a group of young English artists assembled to create their own movement. It was dedicated to dynamism, machinery, abstract art, movement, and everything exciting about the future.
