blogis librorum. A blog about books. Rare books.

Whether you’re simply visiting Oxford, Mississippi and the University of Mississippi (“Ole Miss”), or you’ve plotted out a road trip to the Deep South to visit the home of William Faulkner, we’d like to tell you more about “Rowan Oak,” the home of the Nobel Prize-winning writer. Located a short drive off I-55 in Mississippi, Rowan Oak is now owned by the University of Mississippi and is open to the public as a museum space. Faulkner owned the home for much of his adult life. Visitors to the home can learn more about Faulkner’s private life, his working space, and the area of the country that inspired the writer’s fictional Yoknapatawpha County in which many of his works were set.

Any lovers of twentieth-century Russian literature should learn about—and purchase as soon as possible—the recently translated works of Sigizmund Krzhizhanovsky. The Soviet author was born in Ukraine and studied law before traveling across much of Western Europe. In 1922, when he was thirty-five years old, he moved to Moscow, where he wrote most of his works in that same decade and shortly thereafter. His fiction was never published during his lifetime, likely due to the threat of Soviet censorship. Some have called him a postmodernist, trapped in the post-Revolutionary world of the Soviet Union in which literary dissent was unwelcome. Others describe his work in terms of science-fiction, fantasy, and even the magically real. Yet we don’t know that Krzhizhanovsky’s fiction is capable of being packaged so neatly. His works are at once reminiscent of postmodern novelists and short-story writers, true, yet they’re also some of the few works of fiction that seem to be truly unique.

In 1940, Arthur Koestler’s novel Darkness at Noon appeared in English. While Koestler, a Hungarian-born author and journalist who later immigrated to Britain, wrote in German early on, he later began writing and publishing in English. The novel has an interesting backstory to it. Koestler wrote the novel in German (indeed, the last novel that he wrote in German), yet for decades, readers, scholars, and other interested parties had only known the novel in its English translation. While attempting to escape to the U.K. during the early years of World War II, Koestler convinced his lover, Daphne Hardy, to translate the novel into English. Everyone assumed that the original German-language version of the novel had been lost, and the English translation became the first edition of the text for all intents and purposes.

However, in 2015, a researcher in Switzerland discovered an original German-language version of the novel, reopening the background to Koestler’s famous twentieth-century work and to numerous political issues surrounding translation, wartime violence, and totalitarianism.

Are you interested in learning more about the natural spaces that inspired Jack London? Were you under the impression that you’d need to travel to the Yukon Territory in Canada to connect with the author? If you happen to find yourself in Northern California and can make your way to Glen Ellen, you can visit the Jack London State Historic Park, also known as the Jack London Home and Ranch. There’s not exactly a house to tour, but you can visit the remnants of London’s dream house, which was destroyed during a fire and never rebuilt. And this is also the site of the author’s grave, which you can visit on your own or through a guided tour. The wilds of Northern California are not quite those of the Yukon Territory, but you can nonetheless get a sense of how wilderness and solitude helped to define the writer.

Like many other countries in South and Southeast Asia, Indonesia’s modern history is one marked by colonization and the harms of imperialism. While some of the most frequently read books on Indonesia focus on the colonial period or postcolonialism in the country, we think it is important to make sure that you don’t think the region’s history begins with its colonization by the Dutch. Indonesia has a widely diverse cultural, social, and religious makeup, with parts of the country still governed by pre-colonial monarchy and others the democratic state. It is often described as one of the most heavily populated Muslim countries in the world, yet many religions beyond Islam are practiced, including Hinduism, Buddhism, and Christianity.

Given’s the region’s diversity, there are many exciting books on Indonesia to discover. Below we have just a few of our picks for the best books on Indonesia.

A Rolling Stone article* about Leonard Cohen which appeared just after his death in November 2016 described Cohen as a “song poet.” As many of you might know, Cohen’s music made him famous, with songs such as “Suzanne,” “So Long, Marianne,” and “Hallelujah.” The article cited Nick Cave, who depicted Cohen as “the greatest songwriter of them all,” defining him by his undefinable status of “utterly unique and impossible to imitate no matter how hard we tried.” Indeed, Leonard Cohen was a “song poet,” as the Rolling Stone article declares, but he was also a published poet whose early books, in particular first editions, are now highly collectible—and quite expensive! If you’re interested in learning more about collecting the poetry of Leonard Cohen, you’ve come to the right place. Just like you, we’re not only fans of collecting poetry, but we’re also enormous fans of Leonard Cohen.

For most American readers, references to South African literature conjure the names of the country’s two Nobel Prize winners: Nadine Gordimer and J.M. Coetzee. While the essays and works of fiction by these Nobel laureates are enormously important for understanding the politics of and modes of resistance to apartheid in South Africa, we want to highlight the significance of another genre for you today. Born in 1932 in a remote region of South Africa to an Afrikaner father and English-speaking mother, Athol Fugard has become one of the more prominent names in South African theatre. He often co-wrote plays with Black South Africans during the heights of the apartheid regime, and the plays involved Black actors, as well. Given that co-authorship during apartheid meant that many of the Black South Africans who contributed equally to the plays could not be named as collaborators in print, it is perhaps more important than ever for us to acknowledge the collective work of Fugard’s playwriting.

While Nobel Prizes in the sciences often are shared, the Nobel Prize in Literature has only been shared on four occasions over the last century. And we’re willing to bet that the eight writers who have shared the Nobel Prize are not authors with whom you’re particularly familiar. Why, then, did these novelists end up sharing the award? There are a few different ideas floating around as to why the Nobel Prize in Literature is rarely divided between two writers. Let’s take a look at the four instances in which the Nobel Prize in Literature has been shared.

New Zealand writers largely emerged on the global scene in the mid-twentieth century (although writers from the country existed long before). Some critics cite the government’s decision in 1946 to establish a literary fund as one of the primary catalysts for publishing literature within the country, while others cite events such as the creation of a publishing house at the University of New Zealand.* That this country is a prominent space for literary production shouldn’t come as a surprise to most twenty-first century readers, many of whom are well-acquainted with the internationally renowned Auckland Writers Festival, which brings acclaimed writers and thinkers from the world over to the South Pacific each year. But what about writers from the country itself? We’d like to recommend a couple of books for your initial literary foray into this part of the world.

Readers of Salman Rushdie’s novels know that he has been a prolific writer over the last few decades. Not only have his books received heaps of international critical acclaim, but they have also been loved by readers across the globe. So here’s where we have to tell you that the title of this article is a bit of a misnomer: only one of Rushdie’s novels has ever been adapted for the silver screen. In all these years, Rushdie’s works simply have not been remade as feature films. And it took more than 30 years for his novel, Midnight’s Children (1981), to reach the cinema. When we learned that Midnight’s Children was to become a film directed by Deepa Mehta, we were excited! But at the same time, we wondered: how might anyone turn a novel so immersed in the magical realism tradition into a work of cinema?