In 1983, Arthur Miller directed his masterpiece, Death of a Salesman, for an audience in China. At the time - in the midst of the Cold War - Communist China was viewed by many as an opposite cultural pole to the capitalist America dramatized in Miller’s famous tragedy. As a result, bringing to life the Brooklyn of the 1940s for a Chinese audience in the 80s was a momentous task for the performers. But, Miller was deliberate in shifting the focus from matters of national and cultural identity. On the first day of rehearsal, Miller said, "the first thing I want to discuss with you is the problem of how to act like Americans. The answer is very simple...You must not attempt to act like Americans at all...One of my main motives in coming here is to try to show that there is only one humanity."