blogis librorum. A blog about books. Rare books.

Paper marbling is an art form that may well date back more than a thousand years. The technique involves creating paint patterns on top of a container of water and transferring those patterns to paper, usually paper of high quality. The result is stunning, unique designs that can be used for covering leather-bound books or simply as decorative art in its own right. At the very latest, it first appeared in 12th century Japan before spreading across Asia. In the 15th century, it had either made its way from East Asia or been re-invented independently in Turkey, where a new, more sophisticated version of the practice (called ebru) would gain popularity. This spread throughout the Islamic world and eventually reached England around the 17th century. There, marbling was used not just on books but also for wrapping gifts and lining drawers and shelves. Want to see the process for yourself? We've compiled some videos of paper marbling.

Once upon a time, there was no Neverland. The Lost Boys weren’t fighting with Captain Hook, Wendy wasn’t flying past Big Ben with Peter, and nobody took a second look at a firefly to check if it was Tinkerbelle. The world was a little less magical and a little less exciting—until J.M. Barrie changed everything.

For most American readers, references to South African literature conjure the names of the country’s two Nobel Prize winners: Nadine Gordimer and J.M. Coetzee. While the essays and works of fiction by these Nobel laureates are enormously important for understanding the politics of and modes of resistance to apartheid in South Africa, we want to highlight the significance of another genre for you today. Born in 1932 in a remote region of South Africa to an Afrikaner father and English-speaking mother, Athol Fugard has become one of the more prominent names in South African theatre. He often co-wrote plays with Black South Africans during the heights of the apartheid regime, and the plays involved Black actors, as well. Given that co-authorship during apartheid meant that many of the Black South Africans who contributed equally to the plays could not be named as collaborators in print, it is perhaps more important than ever for us to acknowledge the collective work of Fugard’s playwriting.

Every year, thousands of readers look forward to film adaptations of their favorite novels. Often the screenplays for these films are adapted by independent screenwriters, but there are also many cases when the screenplays are actually written by the author of the source material. For lovers of the original books, it's comforting to know their favorite stories are being treated respectfully and with consideration to the author's original intentions. Many authors also work as screenwriters and not just on adaptations of their own works, but on movies based on novels by other authors or on the scripts for entirely original movies. Here are some writers who split their time between work on novels and work on screenplays.

Lovers of Jane Austen are lucky. Few other authors have left behind a greater wealth of juvenalia. From the ages of 11 to 18, Austen filled three notebooks with stories, parodies, mini-plays, and more, all displaying the shrewd wit and intelligence that would later blossom into genius. Among the shining examples of her earliest work is a short, satirical piece titled The History of England, written when the author was only 15 years old.

Twentieth century San Francisco was a hotbed for creative thinking and artistic pursuits, including those of fine press printers. Robert Grabhorn and his brother Edwin had the most heralded press in the city for nearly half a century. Indeed, Grabhorn Press set the standard for typographic ingenuity and artistic mastery. When the press closed in 1965, younger brother Robert joined forces with a printer by the name of Andrew Hoyem who had worked for Grabhorn in the 1960s. Together, the two continued their fine press efforts, publishing impressive limited edition books including an edition of Allen Ginsberg's "Howl". When Grabhorn passed away, Andrew Hoyem continued their press and in 1974, he renamed it Arion Press. Today, Hoyem is considered one of the most distinguished printers of our time. He has published over 100 illustrated fine press books, all limited-edition, and most published on letterpress. Arion Press books are highly sought after by collectors due to their quality and limited release.

Some of the most thrilling stories I’ve ever heard are those of treasure hunts. Explorers, pirates, and detectives alike all strike out on a mission to obtain the objects of their desires—whether the value be monetary or sentimental. Within the literary world, we have our own lost treasures: famous manuscripts misplaced by time or destroyed at the hands of frustrated writers or natural disasters. Here are five of the most famous missing or destroyed manuscripts.

Traditionally speaking, when you think of May Day one of the first things that comes to mind is dancing around a maypole wearing flower crowns. While this spring festival version of the holiday certainly has its place in literature (part of Shakespeare's A Midsummer Night's Dream takes place on May Day), May Day is more commonly celebrated worldwide today as International Workers Day, or in some places, Labor Day. What is the history of May Day? And how has May Day influenced literature?

On a recent trip to Italy, I had two tools at my disposal: a GPS and a guide book. Given the complexity of the network of roads and the simplicity of the road construction—often nothing more than ruts worn into gravel clinging precariously to hillsides—the GPS often failed me utterly. The guidebook, on the other hand, helped me navigate hill towns, wine cellars and even menus with amazing precision. It led me to all the destinations and experiences I had imagined before I left for Tuscany.

Navigating, however, is different from transporting. It is travel writing that allows us to venture vicariously from home sans GPS or guidebook. Henry James (1843-1916), the American-born British writer, brought his considerable talent to bear on the travel writing genre, capturing the geography, architecture and culture of the places he visited and, from the 21st Century perspective, allowing us to time-travel, as well.

While Nobel Prizes in the sciences often are shared, the Nobel Prize in Literature has only been shared on four occasions over the last century. And we’re willing to bet that the eight writers who have shared the Nobel Prize are not authors with whom you’re particularly familiar. Why, then, did these novelists end up sharing the award? There are a few different ideas floating around as to why the Nobel Prize in Literature is rarely divided between two writers. Let’s take a look at the four instances in which the Nobel Prize in Literature has been shared.