There is an often unthought-of tension between the stage’s representation of drama and the play in its written form. Neoclassical considerations of the stage as immoral, temporary, and material were in stark contrast to its view of printed literature as immortal, spiritual, and morally grounded. These complications have a long history, beginning with Platonic forms, leading all the way to the boom of print culture in renaissance England. Here, we explore a brief history of drama as literature.