blogis librorum. A blog about books. Rare books.

The Chilean poet and diplomat Pablo Neruda hasn’t been alive—at least in physical form—since September 1973. Yet his work continues to live on, and often in unexpected ways. In June 2014, archivists at the Fundación Pablo Neruda in Santiago, Chile discovered a series of boxes that contained poems written by Neruda and published only in Spanish by Seix Barral. However, in many ways these poems became “lost” to a global audience as they were never translated into English. Thus, the project became known as “The Lost Poems of Pablo Neruda.” This month, the book is set to become available to English-language readers everywhere.

Nikolai Gogol's name has become synonymous with Russian literature. In fact, Fyodor Dostoyevsky said that all Russian realist writers had "come out from Gogol's 'Overcoat,'” a reference to one of Gogol's most beloved stories, “The Overcoat.” But this influence over Russian works and on the larger literary community almost did not happen. Though Gogol achieved success at a young age, his career was marked with a variety of failures. Despite this, his remarkable literary legacy—which includes works such as Dead Souls, Arabesques, and The Fair at Sorochyntsi—shines on.

The world was a much bigger place in the early part of the 20th Century. Communication was slower, transportation was relegated primarily to ships and trains, and the odds of connecting and interacting with like-minded creatives were much slimmer in an age without text messages and email. 

Yet even with massive geographical and cultural obstacles, three literary titans managed to influence each other, cross paths, and even collaborate to create some of the most vibrant and interesting contributions to the literary arts. 

Morocco is a place that has long captivated the Western imagination, both for good and for bad. Indeed, it’s hard to imagine classical Hollywood cinema without thinking of Casablanca, Michael Curtiz’s 1942 wartime screen gem starring Humphrey Bogart and Ingrid Bergman. While none of the film was actually shot on location in the country (in fact, the entire city of Casablanca depicted in the film was created at the Warner Brothers studio), it continues to introduce audiences to the city of the same name on the Moroccan coast. And just over a decade later, Alfred Hitchcock actually shot The Man Who Knew Too Much (1956) on location in Marrakech, bringing that city’s old medina to American viewers with the help of Jimmy Stewart and Doris Day.

But there’s a lot more to twentieth-century Morocco and its hold on our imaginations. We’d like to take a look at some of the literary works that have reshaped the ways we think about Casablanca, Marrakech, and other cities in the North African country.

Bohumil Hrabal was a Czech novelist and essayist whose work perhaps best depicts the tragicomedies of politics and everyday life. He was born in Brno, the second-largest city in the Czech Republic (after Prague), on March 28, 1914. At the time of Hrabal’s birth, however, Brno was one of many Eastern European cities within the Austro-Hungarian empire. And during Hrabal’s lifetime, he’d see those national borders that defined his urban life continue to shift as both Brno and Prague became part of Czechoslovakia (1918-1993) and later the Czech Republic. His fiction has been adapted for the screen on more than one occasion to much critical praise, and if you have a chance, you shouldn’t hesitate to start reading his work, which redefines the boundaries of magical realism at several significant moments in twentieth-century history.

The genre of magical realism is a favorite for many because it taps into the reality of what it means to be human while also immersing readers in magical elements that capture the imagination. One contemporary master of this well-loved genre is Alice Hoffman.

Hoffman earned a Master of Arts in creative writing at Stanford University. During her time there, she published her first short story, At the Drive-In, in Fiction magazine. The story caught the eye of editor Ted Solotaroff and ultimately led to the publication of her first novel, Property Of, in 1977. Hoffman has been writing prolifically for young and adult readers ever since.

One of the most prominent literary voices for political freedom and racial equality in South Africa, Nadine Gordimer wrote fifteen novels, more than two hundred short stories, and numerous other essays and works of criticism. Gordimer resided in Johannesburg, South Africa, a city that features prominently in her fiction. After her death in 2014, literary magazines across the world published tributes to the writer and her role in the anti-apartheid movement. Gordimer’s literature remains essential to any consideration of the relationship between fiction and politics. With so many works to choose from, where should a reader begin? Tracking a career that spans more than sixty years, here are five of the most influential books of Nadine Gordimer.

When you hear the name of certain authors, you immediately draw associations with a style or idea. Hemingway = ex-patriotism. Fitzgerald = The Jazz Age. Kerouac = The Beats and their nomadic existence. And J.R.R. Tolkien = bringing the fantasy and science-fiction genres into the mainstream consciousness.

A reader is commonly excited by a friendship between great authors. If only one could have eavesdropped on the conversations of Nathaniel Hawthorne and Herman Melville. Or to have been a fly on the wall in Geneva, as Lord Byron and Shelley chatted the night away (Percy Shelley, that is—Mary Shelley maintained a polite dislike for the Don Juan poet). These friendships, naturally, have perished with their authors. But that does not mean our age is without its own. One of today’s most remarkable literary alliances is to be found in the friendship between novelists Kazuo Ishiguro and Caryl Phillips.

The short story and jazz music have taken quite the similar journey through the cultural consciousness of American society. Now relegated to niche art forms, both flourished in the early and mid-parts of the 20th Century, reaching a level of popularity that transcended age, race, and regionalism. Simply put, everyone listened to jazz and everyone read short stories, and everyone talked about them as important exports of American culture.