If you are near Seattle next weekend (October 10th-11th), we would like to invite you to the Seattle Antiquarian Book Fair! Sign up here for your complimentary tickets, and then join us to experience some remarkable books.
In part one of our history of the printing press, we reviewed the early days of the printing press, from Gutenberg’s original press to Clymer’s wildly successful Columbian press. Today, we will take a look at the last widely distributed hand press and the move onto the cylindrical press. These presses set the stage, and naturally lead us to the fully automated offset printing presses that power the massive publishing houses of today.
Elizabeth Gaskell was a woman ahead of her time. Her writing won the admiration of people like Charles Dickens, Charlotte Brontë, Charles Eliot Norton, and Harriet Beecher Stowe, among others. Like modern professionals, Gaskell and her husband often lived separate lives in order to accommodate their own vocations. However, both were supportive and involved in the other's career. At the time of her death in 1865, the literary magazine The Athenaeum described her as, "if not the most popular, with small question, the most powerful and finished novelist of an epoch singularly rich in female novelists." Here are five interesting facts about this Victorian career woman.
It wasn’t easy for David Lean to bring Boris Pasternak’s twentieth-century epic Doctor Zhivago (1965) to the silver screen. Despite the fact that Lean had already won critical acclaim with previous films like The Bridge on the River Kwai (1957) and Lawrence of Arabia (1962), Lean’s adaptation of the sweeping Russian novel came with difficulties and triumphs. For starters, the movie cost $11 million and took three years to make — no small amount of money or length of time for a cinematic feature in 1965.
In an early issue of Life Magazine from 1966, a reviewer described Lean’s film as one in which the director “flung onto the screen both the chaos and the compassion — the devastation of history’s onrush and its splintering effects on the people caught up in it.” To be sure, the feature closely follows the narrative of the Nobel Prize-winning novel. But do you want to know some interesting secrets about the making of Doctor Zhivago? If yes, keep reading.
Before Elena Ferrante, there was Grazia Deledda. Yet the considerable fame Ferrante has accrued in the past few years is likely eclipsed by that which Deledda had in her lifetime. Once infamous on her home island of Sardinia, she became a national treasure almost overnight. Deledda won the Nobel Prize in 1926, making her the second woman (and Italian) to do so. Visitors and reporters flooded her house in the following weeks. Benito Mussolini, who was just beginning to inaugurate fascist Italy, adored her. He even planned to present an autographed portrait of himself to the author, signed: “with profound admiration.”
“What we have to do is to bring poetry into the world in which the audience lives and to which it returns when it leaves the theatre.” — T.S. Eliot
Nobel Prize-winning poet T.S. Eliot has an influence that is likely too large and too all-encompassing to be measured. It includes nearly every poet who has come after him and some who came before, from Ezra Pound (whose own later work would come to draw influence from that of his protégé) to Billy Collins. What fewer people realize, however, is that Eliot’s influence extended beyond verse and into drama. Indeed, he proved to be one of the last century’s most vocal proponents of the revival of the poetic drama, a genre largely ignored since Elizabethan playwrights like Shakespeare and Ben Jonson.
The author himself once referred to it as “my apocryphal county.” A Frankensteinian creation of two very real regions, Yoknapatawpha County is home to a number of William Faulkner's most famous novels and stories, including the famed Snopes family trilogy, which features the novels The Hamlet (1940), The Town (1957), and The Mansion (1959). Faulkner’s fictional county is a landscape fraught with struggle and conflict, a place of drifters and vagrants, the morally apathetic and the socioeconomically disenfranchised. It’s a region of extreme racial tension and inequality, with a storied history of slavery, succession, KKK activity, Jim Crow laws, and discrimination.
Which is perhaps why it makes perfect sense Faulkner chose to set so much of his work in this invented-yet-wholly-reflective-of-real-life setting, particularly his Snopes family novels. But to truly understand the choice of Yoknapatawpha for the Snopes, one must understand more clearly how the county came into being and the ways in which Faulkner pulled from history — and his own life — to create such a haunting, mythic place.
Chief expositor of the "Jazz Age," F. Scott Fitzgerald's name has become synonymous with the 1910s, '20s, and '30s. No other literary figure proffers the pictures of that generation like Fitzgerald does through his four novels and numerous short stories. Born in 1896, the experience of his characters in the first few decades of the twentieth century is largely contemporaneous with his own. Even outside of This Side of Paradise, explicitly described by the author as semi-autobiographical, rarely can we find a story of Fitzgerald's not permeated with similar autobiography: in fact, we often times see very obvious correlations between Fitzgerald's character's lives and his own. Here are five interesting facts about F. Scott Fitzgerald.
Australia is a vast country with a long Aboriginal past and a more recent history of colonization and violence. Yet when we think of this region of the world, these aren’t always the topics that immediately come to mind. To be sure, many of us think of adventures in the Outback, waves crashing along Bondi Beach, or sounds emanating from the Sydney Opera House. Rather than focus on tourist tropes of the country, however, we’d like to offer you some reading recommendations that can bring to light the intertwining histories of this immense region.
The goal of an author is to find his or her own unique voice, distinct from all writers before. Some struggle for years to find the right style or tone, and others seem to happen upon their voice by accident. Fay Weldon is decidedly in the latter camp. An extremely prolific British writer now in her 80s, Weldon tells her stories with stark honesty and effortless wit, and she doesn’t care one jot what the critics say.
