blogis librorum. A blog about books. Rare books.

A jack of many literary trades, Tennessee Williams is best known as one of the most prominent playwrights in twentieth century America. His play, A Streetcar Named Desire, sits alongside Arthur Miller's Death of a Salesman on the top tier of twentieth century theatrical output. Williams wasn't discovered until his 30s when the success of The Glass Menagerie in New York rocketed him into fame. He followed up this play and became a household name in the late 1940s and early 1950s thanks to his best work, including Streetcar (1947) and Cat on a Hot Tin Roof (1955). Many of Williams plays were adapted, adding to his notoriety.

James Patterson is nothing if not a producer. His literary output is astounding, and the publishing schedule he sticks to is rigorous one (we've written more about his methods here). Patterson began his career in journalism. An avid reader, eventually he was turned on to the suspense and thriller genre through authors like William Peter Blatty and Frederick Forsyth. Thinking he could take a stab at writing such books, Patterson set about writing his first novel, The Thomas Berryman Number. After much rejection, Little Brown Books picked up Patterson's debut book.

"Everybody else is working to change, persuade, tempt and control them. The best readers come to fiction to be free of all that noise." ~Philip Roth in Conversations with Philip Roth

Philip Roth was one of the great, American literary geniuses of the twentieth and twenty-first centuries. Through his works, he explored the idea of self. He also highlighted the social and political climate of the time in which he wrote, often with satire and his particular brand of literary panache.

When Roth died in 2018, he had been awarded two National Book Awards for Fiction, two National Book Critics Circle awards, three PEN/Faulkner awards, as well as the National Book Foundation Medal for Distinguished Contribution to American Letters (2002), a National Humanities Medal (2010), and a Man Booker International Prize (2011), among numerous other awards. But beyond these quantifiable accolades, Philip Roth had perhaps the most profound impact on countless readers who picked up his work. It's true that in his stories, he allowed us to "be free of all that noise". Today, in honor of his birthday, we've selected several of our favorite Philip Roth posts to share.

Baseball has long been America’s pastime. Heroes have thrilled fans and achieved glory. Lore has shrouded the sport in expectations and fantasies. But what about when someone uses America’s pastime to fool Americans? George Plimpton, editor, writer, and sportsman, did just that when he published The Curious Case of Sidd Finch. 

One of the best running gags in fiction (in this writer’s humble opinion) comes, unsurprisingly, from Douglas Adams’ beloved Hitchhiker’s Guide to Galaxy series (1979-2008). On the cover of some editions of the series’ fourth book, So Long and Thanks for All the Fish (1984), readers are helpfully informed that they’ve picked up “the fourth in the increasingly inaccurately named Hitchhiker’s Trilogy.” The original cover of the fifth book contained, mutatis mutandis, the same joke—Douglas Adams’ wry comment on the fact that, in terms of plotting out the series, he was just making it all up as he went along. Sadly, after Adams’ death in 2001, the joke itself had become inaccurate. The “trilogy” was inaccurately named, but no longer, with the literal death of the author, increasingly so. Or at least that’s the way it seemed until Eoin Colfer came along.

Esteemed children's book author Virginia Hamilton was born the youngest of five children in Yellow Springs, Ohio in 1934 during the great depression. Her maternal grandfather came to the state on the Underground Railroad, and the family always prized the freedom to pursue education, creativity, and freedom. The encouragement she received in her home environment helped Virginia Hamilton graduate at the top of her class and receive a full scholarship to Antioch College. Hamilton later transferred to Ohio State University where she studied literature and creative writing, actively pursuing the field in which she would eventually succeed. During her lifetime, she won every major award for young people's literature for which she was eligible, and she has left a lasting mark as one of the most awarded writers of American children's literature. 

Mickey Spillane, one of the most popular American mystery writers of the twentieth century, is known for his gritty, gruff writing. His work is violent, dark, and utterly successful; his first novel sold over one million copies. Known for the character Mike Hammer, Spillane’s work on his mystery novels did not limit his work as a writer. He wrote television shows, movies, and children’s books, winning the Junior Literary Guild award for his 1979 story, The Day the Sea Rolled Back. However, his writing is best remembered for his use of vivid descriptions, short words, and fast transitions to help immerse readers in the story. 

What must it feel like to be a part of a successful family? On one hand, being able to learn from and share experiences with those closest to you is certainly incredibly valuable. On the other hand, it is often daunting for members of the same family to follow in the footsteps of their parents or siblings. The Redgrave family is a premiere example of a modern-day dynasty, and its kingdom is the stage and screen. According to Lynn Redgrave, the family’s acting history spans five generations. To be sure, actress and author Lynn Redgrave knew what it felt like to come from a talented family.

The influence of Gabriel Garcia Marquez cannot be overstated. When he passed away in 2014, he was heralded as "the greatest Colombian who ever lived" by Juan Manuel Santos, the president of Colombia at the time. What did Gabriel García Márquez do to be so influential and to be considered so great? He wrote passionately about politics, both at home and abroad, in his non-fiction and journalistic efforts. He pioneered magic realism in his fiction work. As his popularity grew thanks to the success of his novels like One Hundred Years of Solitude which was translated into over 30 languages, García Márquez took advantage of opportunities to mediate peace talks and influence some of the powerful people whose company he kept.

Perhaps the appeal of Gabo is less about what he did on a grand scale, though, and more about how he was relatable to readers of all shapes and sizes, and in a particular way those who shared his Latin American roots. As Isabel Allende stated upon his death, "In his books I found my own family, my country, the people I have known all my life, the colour, the rhythm, and the abundance of my continent."