The first title that comes to mind at the mention of esteemed author Miguel de Cervantes is undoubtedly Don Quixote, and for good reason. But Cervantes is an esteemed author for many reasons, or rather, thanks in large part to the entire body of work he produced. So, if you’ve read Don Quixote, or plan to start your purvey into this legendary author’s canon with that great novel, what should you read of Cervantes’ work next? Let us help.
Gary Ackerman is the current President of the Book Club of Washington. A self-proclaimed fan of used bookstores, Gary's collecting interests are varied: his personal collections range from art and architecture to golf to Ludwig Bemelmans. With the Seattle Antiquarian Book Fair right around the corner (October 14-15), Gary generously shared his collecting insight and gave us a great look at the Book Club of Washington in the following interview.
Maybe you’ve read Boris Pasternak’s Doctor Zhivago or you’ve seen the film of the same name from 1965, directed by David Lean and starring Omar Sharif and Julie Christie. Or perhaps you’re familiar with “Lara’s Theme,” the song from the movie. At any rate, we bet you’re at least a little bit familiar with the love affair between the fictional characters of Yuri and Lara. A new book by Anna Pasternak, the granddaughter of Boris’s sister Josephine, reveals details of the love affair between Boris Pasternak and Olga Ivinskaya, which served as the inspiration for the novel. The book is entitled Lara: the Untold Love Story and the Inspiration for Doctor Zhivago. It was released in January 2017.
To call T.S. Eliot the most important English-language poet of the 20th century doesn’t feel like too much of a stretch. His 1948 Nobel Prize is just one indicator of the lasting impact that poems like ‘The Waste Land’ (1922) and ‘The Love Song of J. Alfred Prufrock’ (1915) have to this day, and will no doubt continue to have as long as there are English professors and recreational readers of poetry in the world. In spite, or perhaps because, of the influence of Eliot’s poetry on the Anglophone poetic landscape, the man himself has remained something of an enigma since his death in 1965. Here are five things you may not know about T.S. Eliot.
Throughout the nineteenth century—and even beyond—dust jackets were intended to be disposable. As such, they were often discarded after purchase. Given their frail construction and the likelihood of them being thrown away, it can be quite rare to find nineteenth books that retain their original dust jackets. Books Tell You Why is pleased to offer a remarkable selection of such titles. Many of the books represent the earliest known examples of classic works in dust jackets. You may view our catalog for the collection here or browse a sampling of ten notable titles below:
Lean back, close your eyes, and imagine an evening in Paris in the 1920s. Jazz music curls around every street corner, streetlights glimmer, and champagne flows like a river. The sound of laughter and dancing fill the air as parties grow more gregarious, and the socialite scene comes to life. Among the throngs of people immersed in the frivolity, you are likely to find a brash southern woman, and her charming husband, regaling those around them with details of their latest creative endeavors.
We don’t often think about where a particular novelist or poet was when she or he wrote a well-known work. When we do, most of us are unlikely to imagine the confines of a prison cell. However, many canonical works of fiction, as well as significant twentieth-century political texts, were drafted while their writers were incarcerated. In some cases, the texts directly address the writer’s imprisonment, while in others, the claustrophobic walls of a prison cell appear to have enabled the imaginative capacities of the novelist.
Herbert George "H.G." Wells, writer of The War of the Worlds, The Time Machine, and The Island of Doctor Moreau, is the most durable of the so-called fathers of science fiction. His stories influenced voices as diverse as Nabokov and Borges. He anticipated, in some form or another, developments such as lasers, genetic engineering, and email. His political and scientific writing influenced the following generation of thinkers, leading George Orwell to conclude that “thinking people who were born about the beginning of this century are in some sense Wells’s own creation. . . . The minds of all of us, and therefore the physical world, would be perceptibly different if Wells had never existed.”
“No man but a blockhead ever wrote,” said Samuel Johnson, “except for money.” Even this humorous thought ignores the central reality of literary economics: that writing for money is very hard. At least, that is, if you want to live comfortably. This bare reality is in part why authors have for thousands of years supplemented their income and professional life with the profession of teaching.
For being men of letters, is was not literature that brought together the friendship of Noël Coward and Ian Fleming as much as class and location. Both men were embroiled in the life of leisure and excess characteristic of their upper class when the pair met in Jamaica in the 1940s. There, they could bask in the tropical sun, drink, smoke, swim, dine, pursue lovers, and above all, talk. A taste for fun, debauchery, ego-boosting, and wit mattered most; any overlap of vocation was considered but a welcome accident.
