As one of the world’s first celebrity authors, much is known about Charles Dickens. He was an active public figure, one who liked walking about London, appearing in the press, and traveling and performing his works around the world. Even someone who hasn’t read Dickens will know something about his squalid childhood or his noble politics. But what about those facts and details that slip by the typical biography?
Counter culture is an interesting phenomenon. Many may be dissatisfied with the current state of things, but this doesn’t mean they agree in their response. In the 1960s, some executed their discontent by protesting on campuses, while others departed from society at large to join communes. We tend to remember the groups that emerged during this formative era. But, writer Richard Brautigan created a counter cultural presence all his own.
When writers began fighting for copyright protection around two hundred years ago, they were mostly trying to avoid getting ripped off by renegade printers. Sage as they were, not even the best of them could have predicted just how much money could be on the line. It’s unlikely that even A.A. Milne could have fathomed just how valuable his own intellectual property would become, in the forms of Winnie, Eeyore, Piglet, and the gang. Beginning as a children’s poem in the 1920s, Winnie-the-Pooh is now at the center of a merchandising and media empire that totals upwards of $5 billion a year.
Books encourage people to ask questions. They equip people to understand lives different from their own. They encourage people to seek the truth, to reject what is false and convenient. It is no surprise reading is a powerful thing. For this reason, paranoid governments have always been suspicious of what people might be learning from between the covers of a book. Men might become corrupted. Women might become unchaste. So censors have defamed and condemned them, burned them and banned them—but there will always be people who believe books to be worth fighting for.
Saki was the pseudonym of short story writer Hector Hugh Munro. He adopted the name in 1900, and it's believed to have been taken from a character from the works of the Persian poet, Omar Khayyam. Most famous for his short stories, Saki also wrote novels and many articles of journalism. He remains an important figure in the tradition of modern English writers, although his politics and ideas may seem somewhat distant to us today.
This month marks the 197th anniversary of Ivan Turgenev’s birthday. It's as good a time as ever to reflect on the contributions of this important figure of Russian literature's Golden Age. He rubbed shoulders with the classic authors of his time and brought the eye of the West to one of the world's great literary nations. Turgenev holds a remarkable legacy, and it is strengthened even more when one considers the other voices of his country he helped to amplify. Today, we explore Turgenev and eight other essential Russian authors.
James Bond will never die. This is true not only in the narratives of his books and movies, but in our world as well. Fifty years after Ian Fleming’s death, the world-famous secret agent continues to live on with the help of a gamut of actors, novelists, and directors. Even in the last two months, the world has seen two significant additions to the 007 canon — first with the September release of the most recent Bond novel, Trigger Mortis, and now with the debut of the franchise’s latest movie, Spectre. Our desire for all things Bond is stronger than ever, and there is no sign of it slowing down.
Creating a good children’s book is hard, creating one that endures for half a century is even harder. Yet that’s exactly what Hilary Knight and Kay Thompson did with the creation of their famous character, Eloise. For sixty years, the exuberant six year old has captivated generations of fans in a way few children’s books ever do. There should be magic in every children's book, and Eloise's magic comes from her sheer relatability. So many people see themselves in the character's enduring weirdness and audacity. In the end, it is doubtful this would have ever happened were it not for the personality of her illustrator, Hilary Knight.
For several years now, Cormac McCarthy has received his due as one of the best living writers around. However, he has never had the reputation of being a particularly accessible writer. If you’ve had trouble reading McCarthy’s work, you’re not alone. Even Harold Bloom, one of today’s most eminent readers, confessed to two false starts reading Blood Meridian. The evocative power of the novel’s violence, Bloom said, was difficult to bear. And indeed, as a distinct writer, McCarthy’s work can require a certain sensitivity and attentiveness to behold. Yet despite its difficulties, legions of Cormac McCarthy’s fans will assure you the extra effort the work requires is well worth it.
Günter Grass, who won the 1999 Nobel Prize in Literature, died earlier this year, at the age of 87. He maintained a complicated attitude toward the country of Germany for all his life. Grass was a true agitator; he was almost always political, polemical, and provocative. Consequently, upon his death many obituaries concerned themselves with his political controversies, of which there were certainly a good deal. But of course, Grass was a multifaceted person and artist. On the 88th anniversary of his birth, we peel back the divisive persona, and take a look at the legacy of Günter Grass.
