Somewhere between freedom and slavery lies the seed of literary greatness. America’s literary history has borne out this notion time and time again, from Frederick Douglass’ Narrative of the Life of Frederick Douglass (1845) to Harriet Jacobs’ Incidents in the Life of a Slave Girl (1861). For those authors and more, the tumultuous journey out of slavery defines careers laden with aesthetic triumphs and radical politics. This tradition of slaves turned literary superstars ought, by rights, to feature legendary Greek fabulist Aesop as its cornerstone.






