blogis librorum. A blog about books. Rare books.

Sherman Alexie has been a prolific writer of fiction and poetry for more than twenty years. His works have won numerous awards and have been translated for non-English speaking readers across the world. You may know him as a famous Native American author, but what else should you know about Sherman Alexie? In addition to the fact that he has recently published works of both fiction and poetry (don’t miss Blasphemy or What I’ve Stolen, What I’ve Earned), here are some more facts you may not have known about Sherman Alexie.

If there’s one thing an author might fear losing, it’s her eyesight. How can a writer continue to work having lost the faculty to see the sliding of the pen or the movement of letters across the screen? Reading, too, becomes a struggle, forcing the author to depend on books being read aloud or to learn a tactile writing system like Braille. For some legendary authors like James Joyce, loss of sight is a terrible obstacle, while for others it’s a changing force, one that ultimately becomes integral to the work and creativity of the author.

Ambrose Bierce caused quite a ruckus as a writer. Public opinion surrounding the man can be summed up in one fact: he carried a gun to ward off detractors. Bierce was sarcastic, brutally tasteless and very good at not making friends. He was also a fantastic wordsmith. For being such a divisive public figure, he backed it up with a commitment to his craft. His extensive repertoire covered all facets of prose from journalism to poetry and most famously, short stories. Bierce’s trailblazing life would end under mysterious circumstances in Mexico. To this day no one knows exactly how Bierce died, but his life is a story worth telling.

For many readers, Louisa May Alcott’s Little Women was a powerful novel. Despite the fact that most of her works were published nearly 150 years ago, they feel strikingly modern and relevant. Whether you’re interested in collecting early dust-jacketed editions of some of Alcott’s most famous novels or rare literary magazines containing contributions from the writer, you may not need to look too far.

It was a winter night filled with poetry and jazz - a fateful night in which Sylvia Plath met Ted Hughes. They were both attending a University of Cambridge party held at the Women's Union in Falcon Yard. The party was a celebration of the release of the first issue of the student written and published literary journal, St. Botolph's Review.

In her journal, Plath described the party as "very bohemian, with boys in turtleneck sweaters and girls being blue-eye-lidded or elegant in black." Jazz played loudly in the background while party goers shouted poetry to one another over the din of noise. Even though she'd come to the party with a date, Plath's eyes immediately fell on Ted Hughes, and their attraction was instant.

In an era when industrialization and commerce have separated us from nature, some modern writers feel inclined to render beautifully our native, ecological world. Among the most significant of these pastoral writers is Nobel laureate, John Steinbeck, whose gorgeous prose reminds his readers that humans are inseparable from the flora and fauna. 

Victor Hugo is rightly considered one of the great literary minds of the nineteenth century. His works highlight the political and social atmosphere in his French homeland over the course of history. However, even beyond the compelling nature of Hugo’s stories there is an education for literary enthusiasts of the Romantic, and specifically, the Gothic genre. An analysis of the juxtaposition between sublime and grotesque and the importance of place in The Hunchback of Notre Dame provides a fascinating look at just some of the elements of Gothic literature which Hugo expertly employed in the telling of this famous tale.

“I never travel without my diary.
One must always have something sensational to read on the train.”
– Oscar Wilde, The Importance of Being Earnest (1895) 

Oscar Wilde’s notorious wit has a tendency to eclipse the subjects of his many and various quips, but in the above case he has nodded toward an eminent truth for many writers. Diarist Anais Nin provides an interesting study on the matter.

Nostos, the Greek word for ‘homecoming,’ or a hero’s return, has been of particular interest to authors since time immemorial. The motif appears as the driving force of Homer’s Odyssey and stretches forth through the millennia toward James Joyce’s Ulysses (1922), making pivotal pit stops in the likes of Daniel Defoe’s Robinson Crusoe (1719) and Shakespeare’s The Tempest (1611). Nobel Prize winning playwright Harold Pinter even has a 1964 play about it, fittingly entitled The Homecoming. For all of its prominence in the canon, however, the concept of a hero’s return rarely rises above the level of mythology. James Joyce, for instance, for all of the pathos with which he conveys Leopold Bloom’s homecoming, never saw an end to his self-imposed exile from Ireland. In fact (as part 1 of this series can attest) authors of no less gravity than Dante Alighieri, DH Lawrence, and Ezra Pound worked and died in exile.

Mötley Crüe may be among the least Dickensian entities on the planet. Certainly, if we deploy the word the way it’s often used, to refer to over-the-top poverty and industrial hardship, we are left scratching our heads at whether ‘Girls, Girls, Girls’ could, under any circumstances, be taken as an allegory for the British working class. Even if the word is just meant to evoke the esteemed author of such beloved works as Oliver Twist (1838) and A Christmas Carol (1843), the gap between Charles Dickens and Nikki Sixx still seems hard to bridge. With the band’s ongoing farewell tour, however, it may be unwittingly walking in the legendary novelist’s footsteps. 

Where most modern writers are hesitant to expect fortune and acclaim, sometimes going so far, as in the cases of Thomas Pynchon and JD Salinger, to flee from them once they’ve arrived, Dickens wrote in explicit pursuit of fame.