Eoin Colfer, writer of various children’s novels, is most acclaimed for his thrilling adventure series, Artemis Fowl. Beloved by readers and collectors alike, these books have become modern classics. But Colfer has also written a number of other notable children's books.
Leo and Diane Dillon are world-class illustrators, Caldecott Award winners, and a formidable team. The couple met at the Parsons School of Design in New York where both were students. Leo came upon a still life of an Eames chair displayed among student work at a school exhibition. He was struck by it, and set out to find who had done the work. That person—whom he assumed was a “he”—was, in fact, Diane Sorber. The two entered in to a sort of rivalry, trying to place higher than each other at competitive art shows. In the end, they married and joined creative forces.
Today we continue our literary road trip through the United States by taking a closer look at my home state, Indiana. For many people, the Midwest is little more than a flyover region and simply considered farm country. It's easy to think of Indiana by the things its most known for: NASCAR, basketball, corn, and perhaps the infamous level of violence located in the Gary, Indiana area. While Indiana is definitely known for those things, it's also a state rich in history. Abraham Lincoln lived a large portion of his childhood in southern Indiana, and President William Henry Harrison and Native American leader Tecumseh led their respective sides in the Battle of Tippecanoe. Indiana is also a beautiful state, home to the Indiana Dunes near Lake Michigan, numerous protected areas of woodlands like the Hoosier National Forest and the Lincoln National and Lincoln State forests, and a rich network of limestone caves. One of America's oldest theme parks, Holiday World, is also in Indiana. Let's take a look some of the best books set in the Hoosier state.
The Caldecott Medal is awarded annually to the illustrator of a children's book that showcases the best work being produced in the field. Ezra Jack Keats' book The Snowy Day was awarded the medal in 1963. Keats' beloved book not only ushered in a much-needed influx of multiculturalism in the world of children's literature, but also has grown to be one of the most beloved children's books of all time. Join us as we continue our Caldecott Winning Illustrators series by taking a closer look at this incredible illustrator.
Theodor Geisel, known today as Dr. Seuss, was a student of English literature in his youth. While attending Oxford to get a Ph.D. in the 1920s, his future-wife persuaded him to pursue his dreams as a writer and illustrator. He returned home to the United States, with little experience other than a stint as editor of Dartmouth’s humor magazine, the Jack-O-Lantern. He submitted pieces to publishers and periodicals. It was a long slog, but he eventually made his debut with a cartoon in the July 16, 1927 issue of the Saturday Evening Post. His pay was $25—enough encouragement for the young cartoonist to move to New York to take his dreams seriously.
The Caldecott Medal is awarded every year to a book that represents the finest achievement in children's book illustration that year. Often times these awards go to titans in the field of children's book illustrating, artists who go on to create art for some of the best loved books for children. One winner, however, was not primarily an illustrator for children's books, and in fact considered himself to be mostly an advertising artist, illustrating only a handful of children's books during his career. Let's take a closer look at 1961's winner Nicholas Sidjakov, who achieved the highest honor in American children's book illustration even while not pursuing the field as his primary vocation.
Toni Morrison is described as an American book editor, college professor, essayist, and novelist. Her first novel was published in 1970. She gained national attention and the National Book Critics Circle Award for the acclaimed Song of Solomon in 1977. She was awarded the Pulitzer Prize in 1987 for Beloved and received worldwide recognition with the Nobel Prize in Literature in 1993. But did you know she's also a children's book author?
Reading is one of the most fundamental and important skills we learn as children. The books we encounter as children teach us lessons, offer us comfort, and hopefully build a foundational love of reading and story that stay with us for the rest of our lives. For these reasons, children's books are some of the most valued and beloved books in literature. To that end, each year the Caldecott Medal is awarded to a children's book that exemplifies the best and most innovative work in the field of children's book illustration. These books are vibrant, relevant, and crucial stories whose merit goes beyond just the skill with which they were illustrated and often have long lasting appeal for the children for whom they were written, becoming favorites for years to come. Today we continue our Caldecott Winning Illustrators Series by taking a closer look at the 1960 winner, Marie Hall Ets.
Winnie the Pooh and his friends Piglet, Eeyore, and Tigger have been enchanting children for decades. While these imaginative characters are certainly the most popular creations to come from author A.A. Milne, they are not his only or first work. In fact, Winnie the Pooh came pretty late in the game, quickly overshadowing the collection of writing Milne had already produced. Along with children's literature, this versatile writer also penned adult novels and works of nonfictions, magazine articles, poetry, and scripts for stage and screen.
Each year the Caldecott Medal is awarded to the children's book most representative of the highest level of quality and skill in the industry. While sometimes the author and illustrator are one in the same, as with Barbara Cooney's 1958 win for Chanticleer and the Fox, just as often the illustrator in question did not write the book, which is the case for Cooney's 1980 win for her collaboration on Donald Hall's Ox-Cart Man. Cooney is a perfect example of what a recipient should be. Her work is prized not only for the exceptional addition it makes to children's books, but as folk art. After her death, her work began to appear more and more in museums. Cooney is famously noted to have said that she did not believe that children were too young to read about larger issues, that they should not be limited to only what they understand. Her work exemplified this push for a greater understanding and, most importantly for children's books, she never talked down to children. Join us as we take a closer look at the career of this remarkable illustrator in our continuing Caldecott Winning Illustrators Series.
