blogis librorum. A blog about books. Rare books.

Since the 1980s, numerous novelists, dramatists, and poets have been marketed as postcolonial writers. But what is postcolonial literature? In the broadest terms, this category includes works that have a relationship to the subjugating forces of imperialism and colonial expansion. In short, postcolonial literature is that which has arisen primarily since the end of World War II from regions of the world undergoing decolonization. Works from such regions in the 20th and 21st centuries, such as the Indian subcontinent, Nigeria, South Africa, and numerous parts of the Caribbean, for example, might be described as postcolonial. 

In November 2014, the University of Texas paid $2.2 million for the archives of Gabriel García Márquez. It is hard to put a price on the private works of a colossal author, but if one is assigned, that price is necessarily significant. So, it seems the scramble for his papers and manuscripts is just one of the ways the world is dealing with García Márquez's illustrious legacy.

Since ancient times, the jury has been out on what the role of writers should be within a society. Percy Shelley suggested that poets are “unacknowledged legislators of the world.” So then, should writers reflect reality back to their constituents, or help them escape from it? Should they prioritize harsh truths? Should beauty be their art’s sole purview? And how should we, as readers, interpret a writer’s efforts? Contemporary American author Barbara Kingsolver fills an interesting position in this discussion.

Across the country, legendary authors’ homes have been preserved as museums. From the small-town Asheville, North Carolina home of Thomas Wolfe to the famous Mark Twain House and Museum in Hartford, Connecticut, it seems as though many cities have their own literary claim to fame. One little New England town, however, appears to be wealthier in literary history than others. Concord, Massachusetts once was home to Louisa May Alcott, Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Indeed, many of these authors’ most notable works of fiction are set in this sleepy town just outside of Boston.

It’s exciting to read a series of books. Nothing beats the feeling of finishing a great book and diving enthusiastically into its sequel. Beyond entertainment and intellectual nourishment, reading a series is also a point of pride. To finish an entire trilogy, or a five-book or seven-book anthology is a feat of discipline worthy of admiration. Yet as far as book series go, not many can beat Emile Zola’s naturalist collection Les Rougon-Macquart, an ambitious literary cycle made up of twenty separate books.

What can fiction teach us about political resistance during times of tyranny? While the twentieth century alone has borne witness to acts of terror and dictatorship across the globe, numerous writers have addressed the violence that took place at mid-century in the Dominican Republic. From 1930 to 1961, the country struggled under the dictatorship of Rafael Leónidas Trujillo Molina, often referred to simply as “El Jefe.”

In 1901, a young James Joyce was rapidly approaching the end of his studies at Trinity College, Dublin. A quick glance at the legendary author’s corpus, and it is easy enough to discern what he must have studied at school. Traces of St Augustine can be identified throughout his beloved bildungsroman A Portrait of the Artist as a Young Man (1916), just as a familiarity with Homeric epics must have been a necessity for his great undertaking, Ulysses (1922). These pieces were no doubt common to the reading lists of many of that era’s scholars. Where Joyce’s education may have departed slightly from the norm, however, was in his decision to study the Dano-Norwegian language. While Dano-Norwegian might not have the pedigree of Latin or Greek, or the immediately associated classics of most romance languages, it had one significant draw for the young James Joyce: Henrik Ibsen.

Throughout the canon of twentieth century American literature, there is no author whose greatness is as hotly contested as that of John Updike. While his skill as a prose stylist is almost universally acknowledged, a dozen critics will give a dozen different viewpoints on whether beautiful prose is enough for a literary work and whether said prose is really all Updike gave his readers. Regardless of whether Updike is, as Harold Bloom asserts, “a minor novelist with a major style,” or, as Philip Roth contends, the 20^th Century’s Nathanial Hawthorne, the prolific writer’s impact on American letters is wide-reaching and palpable. Here are five interesting facts about one of the last century’s most vital writers.

In need of a laugh today? You're in luck--we've compiled a list of some of our favorite literary jokes and puns. Peruse witticisms by such greats as Mark Twain, Oscar Wilde, George Bernard Shaw, and even Flannery O'Connor. We hope that you'll be amused by our selection of literary humor and then, perhaps, share your own favorites in the comments below. Enjoy!

There are writers who revel in the sophisticated circles of the literary world – attending parties in New York, rubbing elbows with publishers, blurbing the books of debut authors. And then there are writers like Bret Easton Ellis who could not care less. Ellis has come to be known as a sort of “bad boy” of literary fiction. His novels are dark, disturbing, and populated by characters filled with malaise.