In his seminal 1926 essay “The Negro Artist and the Racial Mountain,” then-burgeoning poet, essayist, novelist, playwright, and all-around giant of American letters Langston Hughes argued passionately that Black writers across the world should be proud of their racial and cultural heritage. He says, towards the essay’s conclusion, “The younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly, too.” Even then, at the height of the Harlem Renaissance, it’s hard to imagine that Hughes knew the momentous impact he would make merely by following his own advice.